Skill Level: Beginner - Advanced

Come join us for this rare opportunity to study and work with renowned artists Andrea and John Gill. Held in the highest regard, both artists bring contemporary and historical weight to their ideas, dynamic problem solving, and unique construction techniques. This intensive workshop is guaranteed to alter your trajectories in thinking and creating. Andrea and John are both leaders in our field because of their groundbreaking work and profound abilities to teach, guide, and support others in their creative quests. Working with a blend of focused spontaneity and predetermination, both artists exude a unique gift for communicating what that process looks like. There will be demonstrations, discussions, hands-on exercises, and heaps of individual attention.

Andrea Gill received her MFA from the New York State College of Ceramics at Alfred University and BFA from the Rhode Island School of Design. Recently retired, Andrea was a Professor at Alfred University since 1984. Among her many recognitions, Gill has won fellowships from the National Endowment for the Arts, the New York Foundation for the Arts, and Ohio Arts Council. Her works are in the collections of the Los Angeles County Museum, London’s Victoria and Albert Museum, and the Rhode Island School of Design. She has been featured in many magazines and books. Gill’s work was included in the prestigious White House Collection of American Crafts Exhibition in Washington, DC’s National Museum of American Art in 1995.

John Gill earned his MFA from Alfred University in 1975 and BFA from the Kansas City Art Institute in 1973. A member of the International Academy of Ceramics, John Gill has presented lectures and workshops in the United States and internationally for over 30 years. He presented the keynote address at the Seventh International Ceramic Biennale in Korea in 2013.  His work is held in numerous private and public collections including the Brooklyn Museum, the Victoria and Albert Museum, and the Los Angeles County Museum of Art. He was elected as a Fellow of the American Crafts Council in 2014.

Course Fee: $600 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Some experience will be useful

This is an intensive workshop for the potter who wants to gain the ‘chops’ necessary for throwing larger pots with greater volume. We will focus primarily on functional forms like pitchers, casseroles, jars, and bottles as forms with which to explore more advanced wheel throwing techniques. There will be discussions about shapes and forming, demonstrations of clay preparation and throwing large, and trimming/finishing. Attention will be given to the parts of pots that provide generous containment of space, and those parts that help to define or accentuate. Also, a range of types of appendages, like handles, spouts, and lids will be explored. Participants will get heaps of hands-on time, exercises for keeping the focus, and the always important individual attention. Come join us for this first-time hyper-focus workshop in our beautiful studio!

Harry Kunhardt received a BA in Philosophy with an Art History Minor from Skidmore College. A professional production potter, Kunhardt has produced work for Jono Pandolfi and Brad Lail, and makes commissioned works as an important part of his living as a studio potter. Harry has deep experience in wood-firing and has been on firing crews for many potters including Jack Troy, Susan Beecher, Pascal Chmelar, William Baker/Joy Tanner, and Arlene Shechet. His work has been in many national exhibitions including the Philadelphia Museum of Art Craft Show, “The Dirty South Cup Show” in Louisiana, and “Twin Cups” in Illinois for which he was awarded Best In Show. Harry teaches wheel throwing for Byrdcliffe Art Center in Woodstock, Kingston Clay Studio, and at Sugar Maples Center for Creative Arts where he was an Intern in 2016. Currently, Harry and his wife Meredith maintain a home, studio (28a Clay), and wood-kiln near Woodstock, New York.

Course Fee: $300 + $30 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Some experience useful

In this workshop we will focus on creating interesting painterly surfaces on ceramic objects by using wax resist, stencils, incising, painting, and drawing using underglazes. We will explore wheel throwing and handbuilding techniques as ways of making functional vessels that provide perfect spaces on which to develop imagery that is unique to you and your experiences in the world. There will be a bisque and glaze firing. Some ceramics experience is preferable.

Matias Braun is a ceramic artist, father, and surfer. Born in Madrid, New Mexico, but raised and residing in Costa Rica, Braun attended the University of Hawai'i at Manoa where he graduated with a Bachelor of Fine Arts in Ceramics. His work has been displayed nationally and internationally in numerous juried and invitational exhibitions. Matias has been featured in Ceramics Monthly as a contributor to the "Working Potter Issue" edition. This year, Matius’ work was presented in the Demerest Pottery Show’s 50th anniversary exhibition.

Course Fee: $500 + $60 Lab Fee + $40 Non-Refundable Registration Fee

Some experience is useful

Come join Aysha for a three-day intensive workshop that will emphasize her unique approach to imagined space, scale, and the poetic properties of wheel-thrown and altered clay. Suggestions of terrain, body in motion, and flora will be explored through discussions, demonstrations, and hands-on exercises. Specific features of pots such as rims, feet, lids, volumes and form will be covered during this unique workshop opportunity. Students will be introduced to dynamic techniques for altering freshly thrown forms, expanding on their own conversations with porcelain.

Aysha Peltz received both her BFA and MFA degrees from Alfred University. A gifted teacher, she has led workshops all around the country including at Arrowmont, Alfred University, Haystack, Harvard University, and Kansas City Art Institute. Peltz has lectured at the Shelburne Craft School, Huntingdon Museum of Art, and at Jingdezhen Ceramic Institute in China. A prolific artist, she has exhibited throughout the United States in both group and solo exhibitions. Aysha’s work is in many collections including AMOCA, the Schein-Joseph International Museum of Ceramic Art, Jingdezhen Ceramic Institute, and the Huntingdon Museum of Art. Peltz’ awards include the Walter Gropius Master Award, and Emerging Artist Award from NCECA. Currently Aysha holds a faculty appointment at Bennington College in Vermont.

Course Fee: $300 + $50 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

This class will explore the world of plaster mold making! We will cover every step of the mold making process from start to finish. To begin, the class will discuss prototype selection and development. Utilizing found objects or sculpted clay forms, students will explore a myriad of mold making methods including draft molds and multiple part molds for complex objects. To finish out the week, the class will learn the process of slipcasting and how to make multiples at home. Mold making is a series of problem solving opportunities and this class will be catered to the students' individual goals - the more complex the better!

Jackie Head discovered her love of slipcasting porcelain tile forms and mold making while studying abroad in Jingdezhen, China in the summer of 2014. This experience heavily influenced the work she would go on to make while obtaining her BFA in Ceramics from Indiana University and MFA in Ceramic Art from the New York State College of Ceramics at Alfred University. Jackie has completed residencies at The Archie Bray Foundation, the Cité Internationale des Arts, and the Morean Center for Clay. She currently resides in her hometown, Indianapolis, where she maintains a private studio.

Course Fee: $500 + $90 + $40 Non-Refundable Registration Fee

Skill Level: Beginner To Advanced

Bring your sunscreen because the future is bright. Come fire our new wood kiln with Aarti Manik from the renowned Golden Bridge Pottery in Pondicheri, India and Sugar Maples’ own Bruce Dehnert. Whether you’re a neophyte to the wood firing genre, or an expert in your own right, this opportunity to work together towards a beautiful result will engage and inspire you in our gorgeous environment. Participants will bring work for the firing, learn techniques for preparing for a wide range of results on surface, learn to load and fire a wood kiln, and then unload works transformed by this dynamic process. During the cooling of the kiln, there will be demonstrations, hikes into waterfalls, enjoying the environs that the Hudson River School of Painters recognized as being an artist’s heaven, learning about Indian ceramics in the world of wood-firing, and time to do your own work.

A professional photographer, Aarti Manik’s creative journey turned towards clay in 2012 at Dharavi, where she learnt from Hanif Galwani, a 7th generation master potter. In 2014, she joined Golden Bridge Pottery (GBP), a studio established by Deborah Smith and Ray Meeker in Pondicherry, India. Since her early studies there, she has helped to facilitate workshops for Bruce Dehnert, Elena Renker, John Dix, and Nick Schwartz. Aarti has assisted British potters Penny Simpson, Svend Bayer, and Clive Bowen, and her work has been included in many group shows in Jaipur, Montana (U.S), Mumbai, Ahemdabad, Delhi, and Richmond, Virginia (U.S) to name a few. Also in 2024, Aarti presented a highly successful solo exhibition at Centre De Art, Auroville, India. A recipient of the prestigious Multicultural Award at NCECA in 2019, Aarti is currently the Director of Golden Bridge Pottery in Pondicherry which offers an extensive educational, wood-firing, and residency program.

Bruce Dehnert has a BA in Creative Writing from the University of Montana and MFA from Alfred University. He has taught at Hunter College and Parsons School of Art and Design, The School of Art [New Zealand], the Universiti Malaysia Sarawak, UMASS Dartmouth, and workshops in New Zealand, China, Japan, Canada, and India. His awards include three Fletcher Challenge International Ceramics Awards, a New Jersey Artist Fellowship, the Settlor Prize in Sculpture, and a Carnegie Premier Award for Works on Paper. His work is held in numerous collections including The Crocker Museum, the Yixing Museum of Ceramic Art, The New Dowse Museum, and The White House [Washington, DC]. Dehnert has written articles for journals including, Studio Potter, Ceramics Monthly, and Ceramics: Art and Perception and co-authored Simon Leach’s Pottery Handbook for Abrams. He is a member of the International Academy of Ceramics and is Head of Ceramics at Sugar Maples Center for Creative Arts.

Course Fee: $600 + $110 Lab Fee + $40 Non-Refundable Registration Fee

Skill Level: Beginner To Advanced

This workshop will focus on technical skills, cultivating curiosity, and learning from the surprises that arise in a studio practice. We will spend time making pots on and off the wheel, discuss clay’s material poetics, and will prepare together for a salt firing. Technical demonstrations will include wheel throwing, altering, trimming, hand building, slab making, and slip and glaze considerations. We will fire the soda/salt kiln to Cone 6. Potters of all skill levels are welcome!

Katie Fee grew up in Low Country, South Carolina. Fee earned her BA in Art and Geology from the William & Mary and her MFA from Alfred University. Fee’s work has led her to kiln pads and clay studios around the world - most recently to France and Japan - as a visiting artist, wood firing specialist, instructor, and project manager. She currently works full time as Studio Manager for Theaster Gates Studios in Chicago, Illinois.

Course Fee: $500 + $60 Lab Fee + $40 Non-Refundable Registration Fee