Skill Level: Beginner to Advanced

John Gill is known for his unique approaches to constructing planular vessels that exhibit both contemporary and historical associations. Gill’s expressive angulars challenge gravity with cantilever, colliding with surfaces that feature dynamic painting. There is undeniable magic in his hands, and a plausible logic guided by the idea that working with function opens-up possibilities. Join us in this workshop that could change your trajectories in thinking and creating. Gill has been a leader in our field, absorbing stories, and working intuitively to put together forms in direct yet activated relationships. He comes to materials with simple tools and ideas, solving problems in the moment. The opportunity to study with this artist is a rite of passage and not to be missed.

John Gill earned his MFA from Alfred University, and BFA from the Kansas City Art Institute. A member of the International Academy of Ceramics, John Gill has presented lectures and workshops in the United States and internationally for over 30 years. He presented the keynote address at the Seventh International Ceramic Biennale in Korea.  His work is held in numerous permanent collections including the Brooklyn Museum, the Victoria and Albert Museum, and the Los Angeles County Museum of Art. He was elected as a Fellow of the American Crafts Council in 2014.

Learn more: metmuseum.org/art/collection/search/828145

Fee: $650 (includes first bag of clay) + $40 Non-Refundable Registration Fee

Skill Level: Intermediate to Advanced

This pivotal workshop will provide a great experience of wood-firing as a group. Various approaches to using flashing slips, glazing with materials to create texture, and firing techniques will be emphasized. Specific placement in the kiln, for various effects from the flame, smoke, and ash accumulation will be an important component of the experience. Philosophy, design, and specific ways of processing pottery will be shared. A hands-on workshop will take place while the wood kiln cools. Information on clays and materials to use for this workshop will be provided.

Ben Owen III is an American potter born and raised in Seagrove, North Carolina. A sixth-generation ceramist learning from his family, Owen holds a BFA in Ceramics at East Carolina University. He was awarded a fellowship in Japan, and was a visiting artist in Jingdezhen, China. Ben continues to work in the family business, “Ben Owen Pottery,” established by his grandfather and father. Wood firing has continued to influence Ben's work by creating moments in time for color and surface effects from the process.

Learn more: benowenpottery.com

Fee: $1,030 + $40 Non-Refundable Registration Fee

Skill Level: Beginner to Advanced

Whether you’re a recent arrival to the glaze and clay calculation world, or you’ve previously studied this fascinating science, this workshop will exponentially expand your knowledge of glaze and clay-body development. Students will explore color behavior in glazes, that they invent, in both oxidation AND reduction atmospheres. Glaze and clay body formulation, the role of metal oxides and stains, the introduction of opacifiers, and causes of defects will be taught step by step. Testing “wild clays” will be welcome in our explorations. Students are encouraged to bring in their curiosities and challenges for discussion with this renowned, and fun, instructor.

Dr. William M. Carty is Professor Emeritus of Ceramic Engineering at Alfred University. He received his B.S. and M.S. in Ceramic Engineering from the University of Missouri-Rolla, and his Ph.D. in Materials Science from the University of Washington. Dr. Carty and his research group have conducted research in aspects of traditional ceramics and advanced ceramics. The author of over 80 papers, he is slowly coming to understand (and can speak eloquently, but perhaps ad nausea, about) the benefits of applying the scientific method to solve art creation problems.

Learn more: ceramics.org/person/william-m-carty/

Fee: $560 + $40 Non-Refundable Registration Fee

Skill Level: Beginner To Advanced

This exciting workshop will emphasize ancient Chinese methodologies and concepts for painting and decorating on porcelain greenware, bisqueware, and glaze ware. Processes, that include applying “Qing Hua” cobalt pigment, color underglazes, glazes, computer decal transfers and China paints, will be shared. Students will learn two major brush painting techniques; fine-line brush painting and board brush expression. Ways of painting symbols and patterns, like bamboo, chrysanthemum, orchid, plum blossom, peony, dragonflies, and the iconic goldfish, will be covered. By understanding color field and exploring the subconscious, participants will connect with their body, mind, and soul.

Sin-ying Ho received her MFA from Louisiana State University in 2001. Ho is Associate Professor at Queens College, CUNY. She has taught and presented many international workshops, lectures, and exhibitions including New York’s Metropolitan Museum of Art, and in China’s preeminent City of Porcelain, Jingdezhen.

Learn more: sinyingho.com

Phil Read received his MFA from Maine College of Art and Design. He has studied the art and techniques of Chinese Brush Painting/Sumi-e for 30 years. Read has presented workshops to artists and students from all over North America and exhibits internationally. He maintains a studio in Jingdezhen, China.

Fee: $595 (includes first bag of clay) + $40 Non-Refundable Registration Fee

Skill Level: The ability to wheel-throw a cylinder is encouraged

Join us for 5 days of exploring imaginative approaches to creating zoomorphic pottery. Using techniques of throwing and hand-building, students will form vessels that incorporate animal figures by sculpting, carving, and alteration. Instruction will cover basic sculpting techniques such as the hollowing method and how to give their animals expression and detail. Katherine will provide individual guidance with each student to achieve a pleasing composition, structural integrity, and personal meaning in their finished work. The workshop also includes one glaze firing.

Katherine Maloney is a studio artist based on her family’s farm in Southeast Virginia. She received her BA in Ceramics at Guilford College and has participated in artist-in-residence programs, including STARworks Ceramics and as an assistant at Peters Valley ceramics studio. Katherine has taught workshops regionally and exhibited work nationally at galleries and prestigious shows including the Smithsonian Craft Show.

Learn more: katherinemaloney.org

Fee: $570 + $40 Non-Refundable Registration Fee