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Big Burn: General Mayhem

with Bruce Dehnert and Steve Cook

Next session: September 12th to 16th, 2025

$760 More Info

Skill Level: Beginner - Advanced

If you love to fire and achieve heaps of different surface effects, or are short on atmospheric firing experience, this intensive workshop is for you. Come participate in a variety of firings and see how each approach can inform your ideas and work. Participants will fire soda, wood, gas reduction, raku, and the always colorful pit. Emphasis is placed on glaze/surface preparation and firing techniques. This popular workshop is an exciting, information and results driven experience with demonstrations, lectures, and hands-on participation. You bring the bisque-ware, and we will fuel your ideas with heat, atmosphere, and enjoyment.

Bruce Dehnert has a BA in Creative Writing from the University of Montana and MFA from Alfred University. He has taught at Hunter College and Parsons School of Art and Design, The School of Art [New Zealand], the Universiti Malaysia Sarawak, UMASS Dartmouth, and workshops in New Zealand, China, Japan, Canada, and India. His awards include three Fletcher Challenge International Ceramics Awards, a New Jersey Artist Fellowship, the Settlor Prize in Sculpture, and a Carnegie Premier Award for Works on Paper. His work is held in numerous collections including The Crocker Museum, the Yixing Museum of Ceramic Art, The New Dowse Museum, and The White House [Washington, DC]. Dehnert has written articles for journals including, Studio Potter, Ceramics Monthly, and Ceramics: Art and Perception and co-authored Simon Leach’s Pottery Handbook for Abrams. He is a member of the International Academy of Ceramics and is Head of Ceramics at Sugar Maples Center for Creative Arts.

Steve Cook pursues an aesthetic life’s “sweet spot” of beauty, experience, value and meaning from his current home in San Diego. Steve earned a BA in Sculpture (figure and installation) from Penn State, studying abroad in Taipei at Fu Ren University and National Taiwan University. He earned an MFA in Film (essayistic experimental documentary filmic installation) from CalArts. Steve has worked and taught in a wide variety of media and for surprisingly diverse industries in the US, Asia and Africa, for the past 40 years, earning both awards and condemnation.

Course Fee: $600 + $120 Lab Fee + $40 Non-Refundable Registration Fee

Waiting list available
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Twining Baskets with Waxed Linen Thread

with Cael Chappell

Next session: August 8th to 11th, 2025

$490 More Info

Skill Level: Beginner to Advanced

Join us for a four-day basket weaving workshop with award winning weaver Cael Chappell! This hands-on experience will take you on a creative journey, where you'll learn the art of twined basketry using waxed linen thread. Each day will be filled with in-depth instruction to create unique, personalized baskets. Cael's expertise and passion will guide you through the process, from planning your project to completing beautiful baskets. Whether you're a beginner or a seasoned weaver, this workshop promises to be an enriching experience.

Cael Chappell has been working with basket weavers in Africa since 1991. In 2017 he started weaving his own baskets. Because of his deep understanding of basketry, he quickly developed his own unique style of whimsical weaving. His baskets exhibit personality and life which engages viewers. His work has been featured in many exhibitions and publications. Cael enjoys teaching and is writing a book on twining baskets with waxed linen thread. He has presented many lectures to weaving guilds and groups across the country.

Course Fee: $400 + $50 Lab Fee + $40 Non-Refundable Registration Fee

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Weekly Weaving

with Margot Becker

Next session: May 14th to June 18th, 2025

$240 More Info

Skill Level: Beginner to Advanced

This six-week weaving course begins with an introduction to floor loom mechanics and the creation of a sampler to explore weaving fundamentals. The second half focuses on individual projects, where students design and weave their own textile piece with instructor support. Through hands-on experience, students will learn how tension, sett, pattern drafting, threading, and treadling interact to create textiles. All skill levels are welcome, with instruction tailored to beginners and independent work for experienced weavers.

Course Fee: $150 + $50 Lab Fee + $40 Non-Refundable Registration Fee

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3D Embroidery: Things That Go Buzz

with Deborah Simon

Next session: July 18th to 20th, 2025

$380 More Info

Skill Level: Beginner to Advanced

The Catskills are alive with nature. Learn to embroider and sculpt those complex buzzy, harbingers of summer. And while we might not want to admit this, bugs are among our most important cousins on this planet. As you know, they do a lot for us. Now let’s do something for them! Students will learn to create wings embroidered on fabric and wire and then sculpt them into an insect body to create a three-dimensional sculpture of the beautiful, sometimes annoying, invertebrate. Students will be taught basic and complex embroidery techniques. There will be fun discussions and demonstrations on how to analyze the subject matter and then create a strategy for sculpting the object. This workshop is perfect for those who want to learn embroidery and for those who want to sculpt.

Deborah Simon’s art focuses on humanity’s discordant relationship with animals. Drawing from her work in veterinary clinics and the Bronx Zoo Exhibition Department, her art examines how people consider, use, and disregard animals. Her sculptures and paintings of animals have been exhibited around the world, most recently a solo show, “Embroidered Morphologies” at the International Museum of Surgical Science in Chicago, Illinois, and in “Lagomorph: Rabbits and Hares in Contemporary Craft” at the Fuller Craft Museum in Brockton, Massachusetts. “White Rabbit”, a solo window installation was featured at AHA Fine Art in New York City. She has received numerous fellowships including the Chulitna Lodge Creative Summer Residency, Vermont Studio Center, Saint Ann’s Warehouse Puppet Lab, Sculpture Space, Marie Walsh Sharpe Space Program and the Cultural Space Subsidy Program. She has received grants from the Ruth and Harold Chenven Foundation, the Ludwig Vogelstein Foundation and NYSCA. Following studies at the Repin Institute of Art in Leningrad, USSR, Simon received a BFA from the San Francisco Art Institute and MFA from New York’s School of Visual Arts.

Course Fee: $300 + $40 Lab Fee + $40 Non-Refundable Registration Fee

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Introduction to Wood Splint Basketry

with Amy Krone

Next session: August 22nd to 24th, 2025

$590 More Info

Skill Level: Beginner to Advanced

Turn a tree into a basket in this 3-day, beginner-friendly course, where we will learn wood splint basketry. We will begin by exploring different methods of processing various hardwood trees from the northeastern forests, with a deep dive into white oak and white ash processing while also touching on other types of hardwoods suitable for basketry. Using wood that we split together, as well as pre-split wood, we will learn the ins and outs of frame style, wood splint basketry as we weave a beautiful 10" basket together utilizing a white oak frame, and hand split white ash weavers. Some hand strength for weaving these beautiful materials is needed, but friendly assistance is assured.

Amy Krone is an artist living and working in the forests of the Catskill Mountains. Her project, Cambium Lost Arts, is one dedicated to the revival of dying or forgotten practices of traditional craft. Currently, her focus is centered on the practice of hand-split white oak basketry in the Appalachian style—a journey that began in a used bookstore. “Finding meaning in my art through these woods is a gift the land has given me.” Krone’s approach is disciplined, mindful, and exquisitely detailed.

Course Fee: $300 + $250 Lab Fee + $40 Non-Refundable Registration Fee

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Introduction to Oil Painting

with Nathan Loda

Next session: June 20th to 22nd, 2025

$400 More Info

Skill Level: Beginner to Advanced

This introductory course will provide students with the basic principles and techniques when working with Oil Paint. Students will be introduced to paint-handling and application techniques, color mixing, composition, and different methods for developing a representational painting. Using an exciting direct method of applying paint, and the indirect method of monochromatic underpainting prior to color application, participants will learn how to construct a dynamic image. Favorite photographs will be used to learn fundamentals of observation and alla prima landscape painting. Throughout this enjoyable workshop, emphasis will be placed on lots of individual support. All levels are welcome to come learn from this always popular Instructor.

Nathan Loda is an American realist oil painter. Nathan received an MFA from George Mason University in 2015 and a BFA in painting from Shepherd University in Shepherdstown, West Virginia in 2011. His work is playful yet painstakingly detailed and steeped in American history and landscape painting from observation and imagination. Loda’s current work explores the mystery and magic of landscape as homage to art history and the Hudson River School of painters. Recently, Nathan and his young family spent a semester in Italy where he taught for the University of Georgia’s Cortona Studies Abroad Program.

Course Fee: $300 + $60 Lab Fee + $40 Non-Refundable Registration Fee

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Stories Around the Table: Ceramic Surface Design on Handbuilt Pots

with Sue Tirrell

Next session: August 8th to 12th, 2025

$620 More Info

Beginner - Advanced

Explore the connection between form, narrative and surface design by drawing, painting and carving on leather-hard clay. Bring a sketchbook of your favorite source material and be ready to incorporate old and new influences to create a library of imagery that is uniquely yours. Participants will be guided in the process of distilling these ideas into dynamic, colorful surface design; giving individual stories universal appeal. This workshop is appropriate for makers of all levels. Participants should be comfortable constructing simple vessel forms or tile—hand-built and/or wheel-thrown—to be decorated in the leather-hard state using sgraffitto and painting techniques.

Sue Tirrell was born and raised in Red Lodge, Montana. Receiving an AA degree from Cottey College and BFA from Alfred University, Sue’s work draws inspiration from life-long experiences in the American West. She is passionate about folk art, vintage kitsch, and western art and culture. Tirrell has exhibited widely in the United States as well as Canada and Australia. A former Resident Artist at the Archie Bray Foundation, she has taught workshops across the US and Canada in community art centers, college classrooms, retirement homes, and one-room schoolhouses. She currently makes her home and studio on the banks of the Yellowstone River.

Course Fee: $500 + $80 Lab Fee + $40 Non-Refundable Registration Fee

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Weekly Wheel Throwing Pottery

with Meredith Kunhardt

Next session: June 18th to August 20th, 2025

$355 More Info

Skill Level: Beginner – Advanced

There are many reasons why making pottery on the wheel has become so popular. Making pots puts us in touch with our ‘elemental selves’. Creating forms with our hands and minds serves our desire to invent and realize our imaginations. The “farm to table” movement has made us more aware of the relationships between locally grown foods and handmade wares. At Sugar Maples we celebrate this relationship by offering this dynamic, fun, and meaningful course. Students learn how to prepare clay, make pots, glaze, and fire. Also, because we have a beautiful organic farm right here on campus, you can fill those bowls you make with fresh veggies!

Course Fee: $250 + $65 Lab Fee (includes first bag of clay and firings) + $40 Non-Refundable Registration Fee

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Thinking With Your Hands: Dazzling Font Design

with Cyrus Highsmith

Next session: July 25th to 27th, 2025

$370 More Info

Skill Level: Beginner to Advanced

I say, “ALPHABET  SOUP!” You might think, “I ate that just yesterday.” This is important because fonts rule our world now. In the good old days, fonts were the realm of specialists. With computers, we cross paths with endless riffs on fonts. If you’re interested in this weird artistic science of aesthetic living, writing to your grandchildren or whoever, letters can be drawn in many ways. And in this case…YOUR WAY. Cyrus Highsmith’s approach is based on the importance of white space and sensitivity to shapes. It’s a method he applies to type design as well as image-making of all kinds. For Highsmith, it’s a way of seeing the world. This workshop will be a messy, hands-on, and computer-free exploration of us; drawing, making, and thinking about letters. Students will explore techniques involving stencils, mono-printing, and making their own drawing tools. We will venture to say, if you’re an artist working in ANY medium, this workshop in the beautiful Catskills is for you.

Cyrus Highsmith is a letter drawer, teacher, author, and graphic artist. He teaches type design at Rhode Island School of Design (RISD). He wrote and illustrated the acclaimed primer, “Inside Paragraphs: Typographic Fundamentals.” In 2015, he received the Gerrit Noordzij Prize by the Royal Academy of Art; the Hague, for extraordinary contributions to the fields of type design, typography, and type education. Highsmith’s inventions in typeface design extend to Ford Corporation, Martha Stewart Living, the Wall Street Journal, Men’s Health, Star Wars, and many others. One of Cyrus’ most well-known typefaces are Zocalo, used by the Mexican daily El Universal and the Antenna Series. In 2017, he became Creative Director for Latin Type Development at Morisawa USA.

Course Fee: $300 + $30 Lab Fee + $40 Non-Refundable Registration Fee

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Five Days with Adjectives

with Andrea and John Gill

Next session: June 20th to 24th, 2025

$700 More Info

Skill Level: Beginner - Advanced

Come join us for this rare opportunity to study and work with renowned artists Andrea and John Gill. Held in the highest regard, both artists bring contemporary and historical weight to their ideas, dynamic problem solving, and unique construction techniques. This intensive workshop is guaranteed to alter your trajectories in thinking and creating. Andrea and John are both leaders in our field because of their groundbreaking work and profound abilities to teach, guide, and support others in their creative quests. Working with a blend of focused spontaneity and predetermination, both artists exude a unique gift for communicating what that process looks like. There will be demonstrations, discussions, hands-on exercises, and heaps of individual attention.

Andrea Gill received her MFA from the New York State College of Ceramics at Alfred University and BFA from the Rhode Island School of Design. Recently retired, Andrea was a Professor at Alfred University since 1984. Among her many recognitions, Gill has won fellowships from the National Endowment for the Arts, the New York Foundation for the Arts, and Ohio Arts Council. Her works are in the collections of the Los Angeles County Museum, London’s Victoria and Albert Museum, and the Rhode Island School of Design. She has been featured in many magazines and books. Gill’s work was included in the prestigious White House Collection of American Crafts Exhibition in Washington, DC’s National Museum of American Art in 1995.

John Gill earned his MFA from Alfred University in 1975 and BFA from the Kansas City Art Institute in 1973. A member of the International Academy of Ceramics, John Gill has presented lectures and workshops in the United States and internationally for over 30 years. He presented the keynote address at the Seventh International Ceramic Biennale in Korea in 2013.  His work is held in numerous private and public collections including the Brooklyn Museum, the Victoria and Albert Museum, and the Los Angeles County Museum of Art. He was elected as a Fellow of the American Crafts Council in 2014.

Course Fee: $600 + $60 Lab Fee + $40 Non-Refundable Registration Fee